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75 Must-Watch Movies Best Movies of All Time

FHSome sources such as The Numbers state that Aloma of the South Seas is the highest grossing film of the year, earning $3 million.[54] However, no contemporary sources provide figures for Aloma of the South Seas, so it is unclear what the $3 million figure relates to. You have to admire Mia Goth and Alexander Skarsgaard for their sheer willingness to go there. In Brandon Cronenberg’s third feature, what happens during a vacation at a luxury resort quickly makes the drama at a White Lotus hotel feel tame. There’s enough graphic—and hallucinatory—sex, drugs, and violence that the film just skirted an NC-17 rating.

S7Snow White’s $418 million global cume omits earnings outside of North America from 1987 onwards. (…) Since grosses are not limited to original theatrical runs, a film’s first-run gross is included in brackets after the total if known. F8In the case of The Fate of the Furious the gross is from an archived version of Box Office Mojo, after irregularities were discovered in the current figure. Ongoing weekly drops in the totals for several countries—Argentina being the worst affected—led to a drop in the overall worldwide total.[19] In view of what appears to be an aberration in the source, a previous figure is provided. Forty-five years young, and Spielberg’s breakthrough remains the touchstone for event-movie cinema. Not that any studio these days would dare put out a summer blockbuster that’s half monster-on-the-rampage disaster, half guys-bonding-on-a-fishing-trip adventure.

It was re-released in the United Kingdom in December 2017 with Olaf’s Frozen Adventure earning an additional $2.3 million. But as blatantly narcissistic and frustratingly erratic as Franz Rogowski’s Tomas is as the focal point of this movie’s, you kind of get it. Tomas is a force, fearless in fashion, bold on the dance floor, and quick to act. He’s the type of character who probably reminds you of someone, but feels singular nonetheless. The original “this one’s darker” sequel, and by far the strongest of the saga.

If you couldn’t tell, this is a science fiction movie with a healthy helping of meta-commentary on our obsessive media consumption. You could read a lot into The Truman Show, so the real fun lies in over-analyzing it once you’ve seen it. Guillermo del Toro’s knack for blending fantasy with just a little bit of horror is fully on display in Pan’s Labyrinth. Set in Spain during the early Francoist period, Ofelia (Ivana Baquero) and her mother Carmen (Ariadna Gil) move in with Carmen’s horrible new husband Captain Vidal (Sergi López), who not only sucks but also supports a dictator. When a fairy comes to Ofelia and guides her through a labyrinth, she begins an adventure reminiscent of Alice in Wonderland that parallels the ongoing real-life rebellion her stepfather is fighting.

When she isn’t writing or checking Twitter, she’s probably watching the latest K-drama or giving a concert performance in her car. You’ll never hear Queen and David Bowie’s “Under Pressure” the same way again after watching Aftersun, in which a woman sifts through her memories of the last vacation she took with her enigmatic father when she was 11 and he was 30. It’s bittersweet, charming and subtly devastating—honestly, a recipe for a perfect movie. Quentin Tarantino’s second feature film holds up as one of the best films of the ’90s and for good reason.

Bitingly satirical, darkly comedic and made with unmatched precision, Parasite doesn’t just overcome the ‘one inch barrier’ of subtitles, as referenced in director Bong Joon-ho’s acceptance speech – it obliterates it entirely. But if you only watch one, it absolutely has to be Singin’ in the Rain. This musical romantic comedy starring Gene Kelly tells the story of a silent film star who needs to figure out his next move when films start incorporating sound in the 1920s.

A homophobic police officer, his life—and prejudices—are changed when he picks up an unassuming red envelope while investigating a case. Now bound under “ghost marriage” customs to Mao Mao (Austin Lin), a gay man who died under mysterious circumstances, Wu has to solve his “husband’s” death before he can get on with his life. Directed by Cheng Wei-hao, better known for his thrillers and horror movies, Marry My Dead Body sees the Taiwanese director bring his supernatural stylings to this ghostly absurdist comedy for a film that transcends borders. Sometimes finding the right film at the right time can seem like an impossible task. Below is a list of some of our favorites currently on the streaming service—from dramas to comedies to thrillers.

You can watch it five times, and you still might not catch all of the details he crammed into every frame. Daniel Kaluuya leads an excellent cast that includes Allison Williams and LaKeith Stanfield, but the film’s secret weapon is Lil Rel Howery, whose scenes as Rod help you catch your breath amid all the tension. Cher won an Academy Award for Best Actress for her performance as Loretta, a young widow who is ready for marry Johnny (Danny Aiello), a man she’s perfectly fond of but doesn’t love — after the death of her first husband, Loretta believes that love is only a source of pain. Her plans start to fall apart when she meets Johnny’s estranged brother Ronny (Nicolas Cage), with whom she shares fiery chemistry and immediate mutual attraction. If that doesn’t convince you, there’s also a young, super handsome Nic Cage and the scene-stealing Olympia Dukakis as Loretta’s mother Rose. In the middle of that astonishing run, he took a shot at coming-of-age dramas and proved he could do those too.

There he meets friends and enemies and learns a new way of life incarcerated. Matt Damon stars as Will, a janitor with a hidden genius-level IQ, who runs into trouble and is forced to get treatment from a therapist (Robin Williams). Damon and Ben Affleck’s friendship chemistry is a must-watch, but it’s Williams’ Oscar-winning performance that’s the real draw here. For many (myself included), Christopher Nolan’s second installment in his superhero trilogy is the best Batman there is. Equal parts action blockbuster and crime thriller,  Nolan is able to expertly combine aspects of both genres into a modern superhero film for the ages. Heath Ledger’s go at the Joker is so massive and brilliant, so far no other actor has been able to top it.

When you’ve got such a clear-cut good-vs-evil scenario as World War II, it takes guts to put out a film which lets its (anti-) hero lurk for so long in a grey area of that conflict — while said War was still raging, no less. Of course, Rick (Humphrey Bogart) eventually does the right thing, but watching him make both the Resistance and the Nazis squirm right up to the final scene is truly joyous. Unless you’re the kind of Dad who thinks obsessively typing the same sentence over and over then chasing after your wife and kid with an axe constitutes good parenting.

While the contemporary Covid-19 parallels are none too subtle, keeping the 1980s setting of Don DeLillo’s original novel proves an inspired choice on Baumbach’s part, one that accentuates the film’s darkly absurd comedy. By setting a rush for survival amidst big hair and materialist excess, White Noise serves up some authentic moments of human drama amid the chaos. A breakup movie that is really about the joy of female friendship and the pain of growing old, Someone Great is powered by three great performances from Gina Rodriguez, Brittany Snow, and DeWanda Wise. Rodriguez stars as Jenny, a journalist who simultaneously lands her dream job in San Francisco and breaks up with her boyfriend of nine years.

After his wife is tragically bitten, and infects him in turn, Andy is desperate to find a safe haven for his infant daughter, Rosie. With a mere 48 hours until he succumbs himself, Andy finds an ally in Thoomi (Simone Landers), an Aboriginal girl looking to protect her own rabid father. But with threats from paranoid survivalists and Aboriginal communities hunting the infected, it may already be too late. A unique twist on the zombie apocalypse, Cargo abandons the familiar urban landscapes of the genre for the breathtaking wilds of Australia and offers a slower, character-led approach to the end of the world. If you’re not an American boomer, the juxtaposition of the city of Chicago and the number 7 might mean little to you, but the formula stands for one of the causes célèbres of the ’60s.

Director S. S. Rajamouli deploys brilliantly shot action scenes—and an exquisitely choreographed dance number—that grab viewers’ attention and refuse to let go. Whether you’re a longtime fan of Indian cinema or just looking for an action flick beyond the Hollywood norm, RRR is not to be missed. Daniel Craig reprises his role as detective Benoit Blanc in this brilliant follow-up to 2019’s phenomenal whodunnit, Knives Out. While totally accessible for newcomers, fans of the first film will also be rewarded with some deeper character development for Blanc, a role that’s shaping up to be as iconic for Craig as 007. As cleverly written and meticulously constructed as its predecessor, and featuring the kind of all-star cast—Edward Norton!

Exiting the theater, my own brain felt as though it had been chemically altered. Except, instead of a British secret agent, we get a freelance corporate dream-thief. And the big climactic action sequence is so huge it takes up almost half the movie and is actually three big action sequences temporally nested inside each other around a surreal, metaphysical-conflict core. Making Arnie’s T-800 a protector rather than killer for part two could have been a shark-jump moment for the Terminator series, but we’re talking about James Cameron here. So it paid off — especially as this Terminator was just as much a student in human behaviour (with John Connor his teacher) as guardian, with some darkly comical results (“He’ll live”).

It’s absolutely not going to win everyone over, but if you’re craving something different from cinema’s norms, you can’t get much more different than this. The four Avengers films, the two Frozen films, and the two Avatar films are the only franchises where each installment has grossed over $1 billion, although the Jurassic Park and Black Panther series have averaged over $1 billion free movie sites per film. In Norwegian director Kristoffer Borgli’s utterly absurd, dryly hilarious debut feature, it’s a little bit of both. When her artist boyfriend gains a dash of notoriety for his stolen furniture sculptures, Signe (Kristine Kujath Thorp) takes an alarming dose of a dangerous Russian drug—in a deliberate attempt to attract sympathy–causing her face to break out in lesions.

If you were alive in 2018, you most definitely heard about Bradley Cooper and Lady Gaga’s on- and off-screen chemistry thanks to their roles in the hit adaptation of A Star Is Born. The movie centers on rockstar Jackson Maine (Cooper) and struggling artist Ally (Gaga) who fall in love while Maine pushes Ally into the spotlight and confronts his own demons. From classic LOL-worthy comedies to romance movies that will make you swoon and start swiping on dating apps, this list has must-watch movies that everyone will enjoy, no matter their taste. So, grab your popcorn, besties, and logins, because the best movies of all time are below and available on nearly every streaming service. Anders Hill (Ben Mendelsohn) thought he wanted a change from his stifling life in a wealthy suburb of Connecticut.

However, theatrical box-office earnings are the primary metric for trade publications in assessing the success of a film, mostly because of the availability of the data compared to sales figures for home video and broadcast rights, but also because of historical practice. All charts are ranked by international theatrical box-office performance where possible, excluding income derived from home video, broadcasting rights, and merchandise. A lot has been said about the opening to Pete Docter’s Pixar masterpiece, and rightly so, wringing tears from the hardest of hearts with a wordless sequence set to Michael Giacchino’s lovely, Oscar-winning score that charts the ups and downs of a couple’s marriage. Yet while the majority of the film is more of a straight-ahead adventure tale (albeit one with a wacky bird and talking dogs), that doesn’t make it any less satisfying.